Siskind



Professor

The Crane School of Music, SUNY-Potsdam, Potsdam, NY

      • Fall 1998 – Present
      • Composition, tonal and post-tonal theory, ear-training, analysis, orchestration, choral arranging, performance art
      • President’s Award for Research and Creative Endeavors, Spring 2007
      • SUNY-Potsdam Professor of the Year, Phi Eta Sigma honor society, 2006, 2002, 2001
      • Phi Kappa Phi, honor society, Spring 2006
      • Students’ Choice Award, Student Support Services, Spring 2001
      • Omicron Delta Kappa, national leadership honor society, Spring 2001
      • Presidential Merit Award, Fall 2000

 


Assistant Professor

Music Department, Northeast Missouri State University, Kirksville, MO

      • Fall 1995 – Spring 1996 (sabbatical replacements)
      • Studio and class composition, post-tonal theory and ear-training, orchestration, music history, music appreciation; coordinated MIDI studio and graduate TAs

 


Instructor

Music Department, St Olaf College, Northfield, MN

      • Fall 1997 – Spring 1998 (temporary appointment)
      • Tonal theory, ear-training, and fundamentals / rudiments

Music Department, Anoka-Ramsey Community College, Coon Rapids, MN

      • Fall 1996 – Winter 1997 (temporary appointment)
      • Studio composition, music history

Music Department, University of St Thomas, St Paul, MN

      • Fall 1996 – Spring 1997 (temporary appointment)
      • Tonal and post-tonal theory and ear-training

Department of Extension Classes, University of Minnesota, Minneapolis, MN

      • Summer 1995, Summer/Fall 1996, & Summer 1997
      • Music appreciation courses for the Elderhostel/Orchestra Hall Program

Music Department, Augsburg College, Minneapolis, MN

      • Spring 1993, Spring 1995, and Spring 1997 (sabbatical replacements)
      • Tonal and post-tonal analysis, ear-training, composition (studio and class instruction)

Music Department, University of Wisconsin – River Falls, River Falls, WI

      • Spring 1994 (temporary appointment)
      • Studio and class composition, music history; directed New Music Ensemble

 


Graduate Instructor

School of Music, University of Minnesota, Minneapolis, MN

Fall 1989 – Spring 1992

Tonal and post-tonal theory and ear-training, tonal and post-tonal analysis, theories of non-Western musics, fundamentals/rudiments

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